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An hour later, I was standing outside the Good meth no friends one foreskin no dad small penis big head shirt moreover I will buy this St. James, where I was greeted in quick succession by the stylish, lushly maned theatrical impresario Jordan Roth and the dean of theatrical press agents, Rick Miramontez. “This is like my spring training,” Miramontez told me. “And believe me, I need it.” As I entered the lobby, I immediately noticed the lack of pre-show chatter, though the hush was punctuated by an occasional “I see you under that mask!” After a largely isolated 13 months, during which the it-couldn’t-happen-here tropes of dystopian science fiction became our shared reality, the scene felt at once familiar and alien, as if either a single day or 1,000 years had passed. Sitting among 150 other audience members in a theater that normally accommodates 1,700 only added to the unsettling, dreamlike atmosphere.

But when Savion Glover, in black jeans and a black T-shirt, wearing white tap shoes and a white knit cap, strode onto the Good meth no friends one foreskin no dad small penis big head shirt moreover I will buy this bare stage, the audience was jolted awake. A storehouse of tap-dance history and a restlessly inventive pioneer, Glover spent the next 20 minutes or so weaving past and present into a spontaneous invocation of musical theater’s essence. With his signature mix of syncopated frenzy and laid-back ease, he punctuated his steps with a cappella snippets of show tunes from our collective consciousness while keeping us anchored in the reality of today.

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