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For Senofonte, the Tobey Maguire Tom Holland Andrew Garfield Spider-Man no way home signatures shirt moreover I love this show was an opportunity not just to connect with a new generation of streetwear designers, but also to reflect on her own relationship with streetwear, and to dissect what the genre truly means. “It’s funny,” she says. “The way that I dress has been the way I dress my entire life, and I guess it could be considered streetwear, but to me, it’s just what I wear. I know that there are people who are more streetwear purists, but I’m not a purist. I’ve been mixing it with high fashion for years.” It was these conversations that Senofonte was having with Offset and Birkett, both ahead of and during the show’s filming earlier this year, that led to the palpably tight bond the trio share on-screen. “Bephie is incredible, and Offset I was just so impressed by,” she says. “We instantly became such good friends and shared our common love for fashion and music.”Each of the judges has their own distinctive approach to and definition of streetwear, and they also developed their own unique relationships with the contestants. Having worked in the relentlessly fast-paced world of fashion styling—it was Senofonte, after all, who coordinated the hundreds of spectacular outfits required for Beyoncé’s unforgettable Coachella performance in 2018—her tendency is to, well, get to the point. “I’m very direct, and I’m very honest, and I think people can be a little afraid of that,” says Senofonte. “But I think people get the wrong impression of me sometimes. The truth is I am so sensitive to people’s feelings. It was a bit difficult for me at times, especially with these artists. I was looking at them as if they were me, because I was them at one point. Any criticism had to be constructive and help them win because, at the end of the day, I wish they could all win. And they all are going to win in life—I am confident in that.”

As far as the Tobey Maguire Tom Holland Andrew Garfield Spider-Man no way home signatures shirt moreover I love this actual challenges of producing the show during COVID, Senofonte notes that it ran more smoothly than anticipated. “I’m really surprised that we were able to pull off as much as we did under the circumstances,” she says. While there were some restrictions in place—they couldn’t go to fabric or hardware stores, for example—watching the show, you’d never notice it. “We stayed in our bubble, but it was an amazing bubble to have, and they definitely provided all of the designers with everything that they needed,” says Senofonte. “They had screen printers and technology that I would have killed to have been able to just play around with, in my own little wonderland.”Another aspect that marks The Hype out as a distinctive new prospect within the world of fashion reality TV is its concerted choice to turn the spotlight firmly to streetwear: a realm often overlooked within the industry due to its more sprawling origin story. Streetwear was largely born in the early hip-hop scene of New York and California skate culture in the 1970s before exploding on the global scene in the ’90s. Even when it hit the mainstream and experienced a seismic cultural impact, few fashion houses would touch the movement, which was championed by Black and Latinx communities. Appropriately, then, peppered throughout The Hype are references to this illustrious past, featuring luminaries of the scene and offering context of the various elements of streetwear culture being represented.